If a project ran for 60 shooting days, and I needed Adobe CC for five months total, I’d still only spend $250. Why on earth do I need any other software? Adobe Premiere Pro CC wins my vote for the best on-set ingest, logging, dailies, grading and backup software. It can do everything. All this is for $49.99 per month. Digital Asset Management – which Bridge does, and it comes free with Premiere Pro CC.Checksum verification – which Prelude does, and it comes free with Premiere Pro when you purchase the entire CC suite.All this can be done on a laptop, on both Mac and PC.Thanks to Wolfcrow for the exhaustive chart below (click to enlarge.)Īs far as I’m concerned, Adobe Premiere Pro CC is probably the only software that I feel truly comfortable with. The goal is to determine the usefulness of each in the various facets of on-set media management. Wolfcrow writer Sareesh Sudhakaran compiles a chart of info about programs spanning the general-purpose NLE zone, across dedicated media management, all the way to specialized graders, including: Adobe Premiere CC, Apple Final Cut Pro X, Davinci Resolve, Red Giant Bulletproof, Redcine-X, Sony Vegas - among several other programs I've never even heard of. Could Premiere & Adobe CC have the overall best value? Click through for a few more details, and to see if you agree with its findings.
But, is there a flexible, multi-purpose software package that can truly cover all the bases, and at a better price than all the rest? Wolfcrow has sought to answer this question in a recent, very detailed, post.
Your on-set digital workflow can vary wildly depending on your camera, budget, and schedule with each variable uniquely affecting the others.
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